Dude, what is it with every librarian on the planet but me and
Feed, anyway?
Actually, I suspect I know, but that’s a whole post unto itself. For a book with a 2004 copyright, it came up in conversation quite a bit at the 2006 conference. I feel like I could, in fact, discuss the programs I went to by describing how and why
Feed came up at many of them. But I won’t. I’ll also attempt to contain myself when I start talking about the Neighborhood Story Project.
Alex Awards ProgramI went to this last year and it was really cool, so I figured I’d repeat. And I totally got rewarded for not trying anything new, because Neil Gaiman was there. I’m also terrified now, because
A. Lee Martinez (
Gil’s All-Fright Diner, which is one of those books I swore I ordered, several times, and yet we don’t have it) was introduced with biographical information from his MySpace page.
Here follows A Little Jessy Professional Nightmare:
“Jessy enjoys picking junk up off the ground, thrift stores, clearance racks, public transportation. Drunkdialing AudioBlogger. "I Saw You" personal ads, and making an ass out of herself. She wants to meet a round little fellow who seems to be passed out from drinking too much milk.”
And, yes, I know that the easy answer is to not have any personal information on the internet that I wouldn’t want used to introduce me to a bunch of librarians. But where’s the fun in that? I also kind of can’t believe the intro’s writer. If I were writing presenter’s biographical information for my sister, I wouldn’t say, “Lara’s heroes are people who stand up for something…Oh, also Nick Lachey,” to a bunch of teachers.
I also noted that I should really read
As Simple As Snow. I wondered a bit at Galloway’s slightly awkward (I thought) discussion of his “goth” characters (you know how sometimes you can hear quote-bunnies?) with Neil Gaiman sitting next to him, but, well, I don’t know if I could discuss anything with Neil Gaiman sitting next to me. I do, however, know that I wouldn’t read a passage from a fellow panelist’s work as part of my talk, like Galloway did at the YALSA President’s Program. But then, I was unimpressed by
Postcards from No Man’s Land. Oh, and for an Iowa graduate, I was impressed at his lack of Poet Voice.
Audiobook PreconferenceThere was a contest to be in an audiobook! You had to audition and everything. I kinda screwed it up, which I think I wouldn’t’ve done if I had actually practiced out loud, but it was really fun nonetheless. The woman I sat next to thought so as well. Apparently, we were so excited by the prospect of being in an audiobook that somehow her ALA badge (which you need for pretty much EVERYTHING) wound up in my purse. Which I discovered hours and hours later, right before I discovered that her business card only listed her school number. Oops. Hopefully, she got to the exhibit hall lost ‘n’ found. Let that be a lesson to everyone that obsessively checking for your badge at every turn isn’t just me being insane and paranoid!
There were also interesting panels, like Bruce Coville, Listening Library, etc. talking about producing audiobooks and a couple of the kids from Full Cast Audio talking about being audiobook actors, and actually doing some audiobook rehearsing in front of us, which was super cool. Clips of audiobooks played (I tried to time my bathroom break to coincide with the clip from
Feed, but no dice) that totally inspired me to make a mixcd to take on class visits this fall (what song should I “accidentally” add? “I Hate Music”? “Nic Fit”? Dub Narcotic’s “Fuck Shit Up”? [joking—I would never ever do that]). The woman I was behind in the lunch line is currently working on the audio version of Traveling Pants #4 and I tried to pump her for spoilers, but, again, no dice. I’m still terribly excited about reading this one.
Tamora Pierce does this great “I’m a terrible speaker” fake-out at the beginning of her talk, and it totally sounds like Delores Umbridge does in my head.
The awesomest thing from the preconference was the discovery that
New York Public Library worked with Listening Library to get audiobook clips on their website. I’m really excited about biting this idea for my library, maybe even on the MySpace page. Kind of like how
Ned Vizzini put an excerpt of
It's Kind of a Funny Story on
its own MySpace.
Some libraries (school ones, I think) shelve their audiobooks right next to the print version. I’m still thinking of the pros and cons of this idea for the teenhole, but I kind of like it. I mean, we’ve got the hardback and paperback copies together, why not the audio as well? My crew don’t go and look at the audiobook section as a rule, so it just might work. I wonder if I could do a test run?
Cool toys from the precon:
audiobooks on memory cards and
these Playaway things that my library (the one I use, not the one I work for) has and I keep meaning to investigate.
Upcoming in part 3: committees I audienced at, Printz speeches, graphic novels, and more rambly “goodness”.